From slices of famous lives to cradle-to-grave studies and explorations of linked lives, the spring and summer biographies already generating interest in the publishing world run the gamut. As is often the case, political and literary figures dominate these books and contemporary musicians are also well represented. To see our preview of upcoming biographies, go here.
BIO is thrilled to announce that Candice Millard has won the 2017 BIO Award for her slice-of-life biographies of Winston Churchill and presidents James Garfield and Theodore Roosevelt. In her bestselling books—Hero of the Empire, Destiny of the Republic, and The River of Doubt—the breadth and depth of her research are matched by her gift for creating fast-paced narratives that bring events in distant eras to vivid life.
BIO bestows its annual award on a colleague who has made a major contribution to the advancement of the art and craft of biography. Millard joins previous award winners Jean Strouse, Robert Caro, Arnold Rampersad, Ron Chernow, Stacy Schiff, Taylor Branch, and Claire Tomalin.
Millard will receive the honor during the 2017 BIO Conference on May 20 at Emerson College in Boston, where she will deliver the keynote address.
Millard’s first book, The River of Doubt: Theodore Roosevelt’s Darkest Journey (2005), was a Barnes & Noble Discover Great New Writers selection and a Book Sense Pick, won the William Rockhill Nelson Award, and was a finalist for the Quill Awards. Her second book, Destiny of the Republic: A Tale of Madness, Medicine & the Murder of a President (2011), won the Edgar Award for Best Fact Crime, the PEN Center USA award for Research Nonfiction, and the One Book – One Lincoln Award, among other honors. Millard’s most recent book, Hero of the Empire: The Boer War, a Daring Escape and the Making of Winston Churchill (2016), was chosen as a top ten critics pick by the New York Times. Millard’s work has also appeared in the New York Times Book Review,Washington Post Book World, National Geographic, and Time magazine.
A distinguished panel of judges made up of members of Biographers International Organization (BIO) has selected the four finalists for the 2017 Plutarch Award. The Plutarch is the only international literary award presented to a biography by biographers. BIO members around the world will now vote for the winning biography from among those four distinguished books, honoring a writer who has achieved distinction in the craft. The winner will be announced on May 20 at the Eighth Annual BIO Conference at Emerson College in Boston.
To see the four finalists, go here.
BIO Conference Set for May in Boston, Offers a Wide Variety of Programming and Networking Opportunities
On May 19–21, the annual BIO Conference returns to Boston, where the organization held its first gathering in 2010. The conference will offer research workshops, a full day of panels, numerous networking opportunities, a conversation between two highly respected biographers, and a keynote address by the 2017 BIO Award winner, whose name will be revealed in February.
“This year’s program is bound to please the membership,” said James McGrath Morris, co-chair of the Program Planning Committee. “The wide variety of topics, terrific panelists, and workshop leaders is both a testimony to the hard work of the program committee and to the excitement generated by our annual conference. If you are a biographer, or aspire to be one, you’ll want to be in Boston.”
Registration for the conference is scheduled to begin on February 1. Current BIO members will receive an email with a link to the registration site to take advantage of the early-bird discount, which runs through February 20. For more information on the agenda and panelists, go here.
More than two dozen distinguished biographers from the United States and Europe met to talk about their work on November 4-5 at a conference co-sponsored by BIO and the Oxford Centre for Life-Writing. The weekend-long conference, called Biography Beyond Borders, a colloquium on American and European biography, took place in Oxford and London and included a pre-conference lecture by Carla Kaplan and a keynote address by Hermione Lee. Her Penelope Fitzgerald: A Life won BIO’s Plutarch Award for best biography of 2014.
Last month, TBC featured photos from the weekend sent by consulting editor, past president, and BIO co-founder James McGrath Morris. He called the colloquium “a remarkable moment in our organization’s history. Biographers from around Europe broke intellectual and literary bread with their American colleagues in the storied setting of Oxford.” Morris added, “Almost all the credit for putting together this remarkable gathering goes to BIO’s vice president, Deirdre David.” Plans are now underway for another such meeting in 2018.
To read recaps of the panel discussions and some comments from some of the BIO members who toured two historic homes before the colloquium, go here.
On November 4-5, BIO and the Oxford Centre for Life-Writing co-sponsored Biography Beyond Borders, a colloquium on American and European biography. The weekend in Oxford and London featured 29 distinguished biographers from across the United States and Europe examining their craft in lectures and panel discussions. Look for more news on the weekend next month.
We learn by stories,” Nan A. Talese said, and when it comes to biography, “the story of the person’s life should be interesting and carry the reader along.” That was just one of the insights Talese imparted from a 50-year career in publishing, many of those years spent helping dozens of biographers bring their subjects’ stories to life.
Talese spoke just before accepting BIO’s third annual Editorial Excellence Award, which recognizes the contributions of outstanding editors—as nominated by BIO members—to the publishing of biographies.
The October 5 event at the New York Society Library began with an introduction by BIO member Anne C. Heller (who played the key role in organizing the evening and ensuring its success, in collaboration with members Kate Buford, Deirdre David, Gayle Feldman, and Will Swift). Talese worked with Heller on her biography Ayn Rand and the World She Made, and Heller noted that Talese’s books “are known both for their literary excellence and for their physical beauty.” She praised Talese for “the extraordinary judgment, taste, skill, dedication, and, in my case, patience, Nan has brought to her literary calling.”
A. E. Hotchner followed Heller and recounted working with Talese on Papa Hemingway, Hotchner’s account of the novelist’s life and Talese’s first major biography after coming to Random House from Vogue as a young editor. Hotchner described going into her tiny basement office—a broom closet that included a desk and two chairs—and her first words: “I think we should change the title.” She also advised him to put more of himself in the book, as Hotchner and Hemingway had been friends. As Talese later explained, she suggested edits while also drawing more out of Hotchner, and they ended up cutting 20 percent of the original manuscript and adding a new 20 percent. Papa Hemingway went on to become a perennial best seller.
Hotchner and Talese worked together on several other books, and Hotchner noted her eye for detail, sometimes questioning a single word choice, and her swift and careful attention to the manuscripts she receives. Most gratifying, he said, was hearing Talese describe a manuscript as “wonderful.” He said, “She says wonderful better than anybody else.”
Talese spoke next, offering her recollections of some of her experiences with Hotchner. At their first meeting, which included several other editors, she admitted, “He thought that I was going to bring them coffee or something; he certainly didn’t think that I was going to be his editor.”
Talese also discussed some of the other noteworthy books she has worked on, including Thomas Keneally’s Schindler’s List and the challenges she faced negotiating the finances of the book with Keneally’s lawyer. Talese wanted the book badly, and she said she became a “pest” as she worked to close the deal. Talese also recalled the difficulties she and Deirdre Bair had in securing rights to Saul Steinberg’s art for Bair’s biography of the cartoonist.
Talese and Bair worked together again on Bair’s new biography, Al Capone: His Life, Legacy, and Legend, published last month, and Bair joined Talese to address what Bair called the “nuts and bolts” of editing and publishing biographies. Asked what she looks for in a book she publishes, Talese said she focuses on three questions: Does the writer use language well, is the writer a storyteller, and does the writer tell the subject’s story with such passion that people will want to read it.
When Bair brought up the popularity of celebrity biographies and wondered if there is still a place for deeply researched books on serious subjects, Talese said people do still want those “big” biographies. At times, though, such books are reviewed so well, “people think they’ve already read the book” after reading the reviews.
Reflecting on her career, Talese said she was not truly qualified to be an editor when she first came to Random House, and her first job was looking for typos. But she was grateful to be there, saying, “I couldn’t believe I was being paid to read….To this day I love it just as much.” With her job, “you live in another world, you learn of another world.”
Following the Q&A, BIO president Will Swift presented Talese with her award, noting the importance to biographers of skilled—and passionate—editors like herself, as they “help us become more than we dreamed we could be.”