Conference

Branch Keynote Talk and Biographers in Conversation Highlight BIO Conference

Almost 200 established and aspiring biographers immersed themselves in their craft at the Sixth Annual Biographers International Organization Conference, held June 6 at the National Press Club in Washington, DC. Amidst the various panel sessions, attendees also saw Taylor Branch receive the 2015 BIO Award. Branch is best known for his trilogy about Martin Luther King Jr. and the civil rights movement, known collectively as America in the King Years.

BIO President Brian Jay Jones presents the 2015 BIO Award to Taylor Branch.

BIO President Brian Jay Jones presents the 2015 BIO Award to Taylor Branch.

The Accidental Biographer
In his keynote address, Branch called himself an accidental and partial biographer, as he used the life of King and others to tell the story of the civil rights movement, which he called “the last great uprising of citizens’ idealism that really changed the direction of history.” Branch wanted to better understand the movement and address what he saw as problems with the existing books on it: They were “analytical and abstract” with an emphasis on interpretation. Branch wanted to “feel its power, which for me was personal and quite deep.”

But before and while immersing himself in what would become a 24-year endeavor to better understand and then write about the movement and its makers, Branch worked as journalist, ghost wrote the memoirs of Watergate figure John Dean and basketball star Bill Russell, and spent hours recording the thoughts of an old friend who just happened to become US president: Bill Clinton. Branch recounted some of the recording sessions that would form the basis of Branch’s The Clinton Tapes: Wrestling History with the President. Clinton wanted to document the history of his presidency as it unfolded, and his sessions with Branch remained secret through the president’s two terms. For Branch, the sessions gave him the chance “to get the fullest record that historians will one day have” of what daily life was like for Clinton in the White House.

Clinton and Branch had worked together in Texas during George McGovern’s 1972 presidential campaign, and they often discussed political idealism. Branch thought he “had a better chance to influence [US politics] toward integrity as a writer than in politics.” With his King books, he explored the citizens’ idealism he saw in the civil rights movement, the reaction to it, and its lasting effects. He said, “The civil rights movement set things in motion that are still benefiting our country today, including same-sex marriage…. The civil rights movement forced people to break down their emotional barriers against dealing with what equal citizenship really means in everyday life.”

Branch chose to depict the movement in as personal a way as possible, to fight the urge in the United States to “reinterpret history wherever race relations are involved.” As an example, he cited the textbooks he read growing up in Atlanta, which taught that the Civil War had nothing to do with slavery. Many history books, Branch believes, deal with what a culture is comfortable talking about. Telling the personal stories of the people of the civil rights movement in a narrative history, Branch hoped, would preserve some of the uncomfortable facets of race relations in the United States, thus providing a more accurate history.

brinkleythomasThomas and Brinkley in Conversation
The conference events kicked off in the morning with a plenary breakfast session called “The Art and Craft of Biography: Evan Thomas and Douglas Brinkley in Conversation.” Between them, the two have authored biographies on a wide range of figures who helped shaped the twentieth century, from presidents to Walter Cronkite. They engaged in an easy dialogue as they explored some of the challenges they’ve faced during their careers.

For Brinkley, one challenge came when writing about Rosa Parks. When she made her historic refusal to leave her bus seat, about a dozen or so people rode with her. But when Brinkley did his research, he interviewed 55 people who claimed to be on the bus that day. “Everybody in Montgomery was on Rosa Parks’s bus,” he joked. “I had no idea who to trust.” Brinkley also had personal access to his subject and saw firsthand her willingness to help others, something that made writing the Parks book “probably the most moving personal biography” he’s done.

Following that observation, Evan Thomas said he had just finished a biography of Richard Nixon, and the president “was not a Rosa Parks.” But Thomas did come to appreciate how hard it was to be Richard Nixon, who was socially awkward and “a powerfully lonely guy.” Nixon’s experiences intersected with the life of another of Brinkley’s subjects, Walter Cronkite. CBS News played a big part in bringing Watergate to the public’s attention, and Nixon wanted to “get” Cronkite, who personally liked Nixon. Cronkite also interacted with another of Thomas’s subjects, Robert F. Kennedy. The newsman, Brinkley said, crossed the line of journalistic ethics when he urged Kennedy to run for president in 1968 because of the morass in Vietnam.

Another topic Brinkley and Thomas covered was how to get the biography subject’s family on board, which can be hard when relatives, especially children, want to preserve their loved one’s image, and their truthfulness might be suspect. Thomas also mentioned the difficulty at times of sorting out key details from extraneous facts—“I wish I had a magic formula to help you figure out what’s important and what isn’t.” Another concern for biographers today: plagiarism, or the accusation of it. One strategy, Thomas said, is to footnote extensively and acknowledge the work of experts in the foreword. Brinkley cited a slightly different problem, of anecdotes that get passed along as truth but without sources to back them up. He relies on double sources when possible to verify information.

After discussing some of the nuts and bolts of the craft, Brinkley ended the session on a loftier and inspiring note. He called biography “the most indispensable art form because in America, we live by individuals… that’s how we process history, through people.”

 

Enjoying the preconference reception, from left to right, are Kate Buford, Barbara Burkhardt, Robin Rausch, Abigail Santamaria, and Sarah Dorsey.

Enjoying the preconference reception, from left to right, are Kate Buford, Barbara Burkhardt, Robin Rausch, Abigail Santamaria, and Sarah Dorsey.

Preconference Events
While Saturday, June 6, saw most of the conference’s events and festivities, on Friday some attendees explored the Library of Congress on private tours. In the evening, BIO members gathered at the Georgetown home of board member Kitty Kelley, where Thomas Mann, formerly of the Library of Congress, received BIO’s Biblio Award. Established in 2012, the award recognizes a librarian or archivist who has made an exceptional contribution to the craft of biography. Mann retired from the Library in January 2015 after 33 years of service.

Also at the reception, board member Will Swift announced that Jonathan Segal will receive BIO’s Editorial Excellence Award this November. Pulitzer Prize-winning investigative reporter Carl Bernstein will present the award and the evening’s events will also include a panel discussion. Look for more details on this event in upcoming issues of TBC.

BIO Conference Preview: A Conversation between Kitty Kelley and Barbara Burkhardt

Bestselling biographer Kitty Kelley—a founding BIO member who serves on the board— will appear with biographers James McGrath Morris and Linda Lear at the conference in Washington, DC. Their panel, moderated by Abigail Santamaria, will address the question, Does gender matter in biography? Kitty talks to BIO Secretary and site co-chair Barbara Burkhardt about biography and gender—and her dedication to BIO.

Kitty Kelley

Kitty Kelley

Barbara Burkhardt

Barbara Burkhardt

Barbara Burkhardt: What generated the idea for the panel “Does Gender Matter”?
Kitty Kelley
: Linda Lear was talking to me about how she decided not to do a biography of Harold Ickes, Sr. She said that, as a woman, she just didn’t feel she could empathize with this male subject. And, on the other hand, Jamie Morris said that he leaped to do his biography of Ethel Payne. It really is interesting that empathy is the deciding factor.

BB: What is your own take on how gender affects writing biography?
KK
: A Harvard study showed that gender does make a difference. In relation to writing a life story, the study showed that women are better at getting to the hows and the whys of a life. Women are more concerned with relationships. They pay more attention to relationships.

I can’t say that women are better biographers than men. I don’t mean that at all. It’s just that male brains work differently than female brains. Men go from A to B, women go from A to R—and then back to F. As a result, women might be better at getting certain kinds of information. Men love data. Only 10 percent of the men who read, read fiction. They read history, politics, current affairs, business, and sports. Women read fiction.

And in biography, you have to give more than info and data and facts—you have to provide a human dimension: Why did they do it? How did they do it? You have to get people talking about their feelings and fears. The study showed that it is easier for women to handle ambiguity than it is for men. In essence, men want to solve the problem. Women want to understand the problem. They have been trained to take care. Men seem to take charge. Continue Reading…

BIO Conference Preview: A Conversation between Sonja Williams and Valerie Boyd

Too many of the compelling, varied and inspiring life stories of people of color have been invisible to a broader audience. Therefore, this BIO conference will feature the panel, “The Rewards and Challenges of Writing Lives of Color.” Moderated by Sonja Williams, author of a forthcoming biography Word Warrior: Richard Durham, Radio, and Freedom, this panel features authors Valerie Boyd, Alfred J. López and Donald Spivey. Williams spoke to Valerie Boyd about the complexities of researching, and in her case, rescuing black women from the shadows.

Sonja_Williams

Sonja Williams

Sonja Williams: All of your book projects have focused on the lives of black women, including your award-winning biography of writer Zora Neale Hurston, your curating of writer Alice Walker’s personal journals, and your plans to examine the lives of black women in Hollywood. Why have your pursued this particular focus and what have you gotten out of this writing path? 

boyd

Valerie Boyd

Valerie Boyd: It’s a natural draw for me as a black woman. It might have started out as a model for the kind of life I’d like to live by exploring some of my own “sheroes,” as scholar and former Spelman College President Johnnetta Cole would say, black women whose lives have influenced not just me but America itself. Black women are often undervalued as intellectuals, artists and thinkers, and I think it’s important to articulate their lives, making sure that those women—and I—have a voice in national and international conversations. We need to give black women the same kind of respectful, fully realized biographical treatment as we give the dead white men.

I’m especially interested in black women who’ve changed the world. As a black woman myself, I bring a kind of empathy and shared experience to my research and writing. Ideally, this allows me to write about these women in ways that I hope will help readers to occupy their lives for a bit, to experience what it was like to live inside these women’s skin, to get to know them from the inside out.

SW: What unexpected gems did you come across while conducting the research for Hurston’s biography, Wrapped in Rainbows, and how did those gems pay off during the writing process?

VB: Unexpected gems are what you hope for as a biographer. I remember little details I found while working on the Hurston biography. Howard University has some good Hurston [archival] papers and a small, black leather, three-ring-bound notebook where Hurston made small notes to herself, including her grocery lists—evidence of what she ate and what she spent her money on. This was during the early 1930s, the Depression era, and she had limited funds. So she was always buying fish and vegetables, and she’d always, always allow herself 25 cents to buy a book. Now that told me something about who Hurston was and what her priorities were. These kinds of glimpses into her internal life were invaluable. Continue Reading…

A Conversation with Conference Panelist Heath Lee

The Civil War remains a topic of unquenchable interest to readers. In this, the final year of the conflict’s sesquicentennial, the BIO conference will feature a panel “Civil War Women.” Many biographers are discovering that the female figures of this time are a source of vital yet sorely under-explored stories. Justin Martin’s latest book is Rebel Souls: Walt Whitman and America’s First Bohemians, the story of a group of notable Civil War-era artists including Adah Isaacs Menken and Ada Clare. Martin spoke to author Heath Lee, who will co-moderate the panel.

Justin Martin: Please explain the need for and value of a panel devoted specifically to Civil War women.
Heath Lee:
The majority of the scholarship and press attention on the war has focused on traditional themes of the conflict’s military, political, and economic dimensions and the male figures who were Union and Confederate leaders. However, information regarding the lives and fates of women during this period is still scarce and their portraits are often incomplete. The women we will talk about in this panel were shaped tremendously by their experiences and memories of the war, whether they were Northern or Southern, black or white. Women were more than just incidental bystanders during this tragic period in American history.

JM: Who are some of the notable women who will be discussed? And what are some of the unique issues confronting a biographer whose subject is a Civil War woman?
HL:
It would be hard to find a more fascinating list of characters. Among the figures we’re sure to discuss are Harriet Tubman, Rose O’Neale Greenhow, Kate Chase Sprague, Elizabeth Van Lew, Varina Davis, Winnie Davis, Julia Dent Grant, Angelina Grimke Weld, Emma Edmonds, and Belle Boyd.

One of the unique challenges for a biographer researching a woman from this period is the lack of primary source materials. In the nineteenth century, it was common for women’s letters and papers to be destroyed—often even by her own family. It was considered unseemly for information about women to appear in published form. For instance, it is likely that Varina Davis burned Winnie Davis’s private diaries and love letters to her ex-fiancé. Continue Reading…

Taylor Branch Wins 2015 BIO Award

Branch’s most recent book The King Years: Historic Moments in the Civil Rights Movement (2013) presents eighteen key episodes across the full span of the Civil Rights era.

Branch’s most recent book The King Years: Historic Moments in the Civil Rights Movement (2013) presents eighteen key episodes across the full span of the Civil Rights era.

Taylor Branch is the recipient of the 2015 BIO Award, given each year by BIO members to a colleague who has made a major contribution to the advancement of the art and craft of the genre.

Branch is best known for his best-selling, magisterial trilogy about Martin Luther King, Jr., the Civil Rights movement and America in the 1950s and 1960s. In these three volumes, Branch showed, as he wrote in his introduction, that “King’s life is the best and most important metaphor for American history in the watershed postwar years.” His vivid portrait of King’s rise to greatness humanizes the man and allows the reader to understand his era by portraying what it was like to live through it. His three-volume work has been compared to Carl Sandburg’s Lincoln and Robert Caro’s multivolume life of Lyndon Johnson.

For his first volume, Parting the Waters: America in the King Years 1954-63 (1988), Taylor Branch won the Pulitzer Prize and the National Book Critics Circle Award. He was also a finalist for the National Book Award. The volumes Pillar of Fire: America in the King Years 1963-1965(1998) and Canaan’s Edge: America in the King Years 1965-1968 (2006)winner of the Robert F. Kennedy Book Award and a National Book Award and National Book Critics Circle Award finalist—completed his monumental fusion of biography and history. Branch is also the author of a novel, The Empire Blues (1981), and was the ghostwriter of John Dean’s memoir Blind Ambition (1976). He also is well known for his innovative eight-year oral history project with a sitting president—The Clinton Tapes: Wrestling History with the President (2009).

Branch will receive the honor during the 2015 Biographer International Organization Conference on June 6 at the National Press Club, where he will deliver the keynote address. The BIO Award was established in 2010 and its first five recipients were Jean Strouse, Robert Caro, Arnold Rampersad, Ron Chernow and Stacy Schiff.

Registration for Sixth Annual BIO Conference Now Open!

BIO welcomes biographers, editors, agents, publishers, and publicity professionals from across the nation and around the world to the Sixth Annual Biographers International Conference, June 5–6 in Washington, DC. During this two-day event, biographers have the opportunity to network, interact, and deepen their knowledge of and commitment to the craft of life writing. For more information on the conference, go here.

REGISTER NOW!

Leavell’s Marianne Moore Wins Second Annual Plutarch

Linda Leavell’s Holding on Upside Down: The Life and Work of Marianne Moore (Farrar, Straus and Giroux) won the Plutarch Award for the best biography of 2013. The winner and the three finalists were revealed at a ceremony held at the closing of the fifth annual Compleat Biographer conference at UMass Boston on May 17.

 

Plutarch Award winner Linda Leavell poses with Barbara Lehman Smith, who served on the Plutarch Nomination Committee.

Plutarch Award winner Linda Leavell poses with Barbara Lehman Smith, who served on the Plutarch Nomination Committee.

“I’m truly humbled by this award, and I’m also humbled by my company here, the fellow nominees,” Leavell said after Plutarch Nominating Committee member Vanda Krefft opened the sealed envelope that contained the name of the winner. Leavell was a charter member of BIO and attended the first conference, which was also held at UMass Boston five years ago. “It was amazing to me, as I was writing a biography in Oklahoma and Arkansas, to have the opportunity to be with other biographers and meet people and talk about the things that I was doing and the things that they were doing, so I’m very grateful to this organization.”

Named after the Ancient Greek biographer, the prize is the genre’s equivalent of the Oscar, in that Biographers International Organization (BIO) members chose the winner by secret ballot from nominees selected by a committee of distinguished members of the craft.

The finalists for the 2013 Plutarch Award were:
  • Jill Lepore, Book of Ages: The Life and Opinions of Jane Franklin (Knopf)
  • Brian Jay Jones, Jim Henson: The Biography (Ballantine Books)
  • Ray Monk, Robert Oppenheimer: A Life Inside the Center (Random House)
This is the second year the Plutarch has been awarded. In 2013, the award was bestowed on Robert Caro for his The Passage of Power. 
A surprised and touched "Founding Father" receives his awards. To Morris's left is BIO president Brian Jay Jones. To his right are BIO board member Barbara Burkhardt and Will Swift.

A surprised and touched “Founding Father” receives his awards. To Morris’s left is BIO president Brian Jay Jones. To his right are BIO board member Barbara Burkhardt and Will Swift.

Prior to the Plutarch ceremonies, Board member Will Swift presented retiring President James McGrath Morris with the unique “Founding Father Award” for his role in “creating, supporting, and inspiring Biographers International Organization.” BIO’s Secretary Barbara Burkhardt followed by giving Morris a beautiful bound book of tributes from members of BIO.

The award and book were both a surprise to Morris, who gave a moist-eyed thank you to the crowd.Morris said, “I might have had the founding idea, but BIO is you and belongs to you.”  He is said to be currently hiding in Santa Fe, writing thank you notes.

Schiff Keynote Speech Highlights Fifth BIO Conference

More than 200 biographers, including ones from Australia, Canada, the Netherlands, New Zealand, and the United Kingdom, attended the fifth annual Compleat Biographer Conference, held May 17 at the University of Massachusetts Boston. As at past conferences, one of the day’s highlights was the presentation of the BIO Award at the afternoon luncheon, which this year went to Stacy Schiff, author of Saint-Exupéry: A Life,A Great Improvisation: Franklin, France, and the Birth of America, Cleopatra: A Life and the Pulitzer Prize-winning Vera (Mrs. Vladimir Nabokov): Portrait of a Marriage.

At the day’s luncheon, outgoing BIO President James McGrath Morris presented Schiff with the award, noting that her dedication to the craft of biography went far beyond the written page to her longstanding and ongoing support of BIO.

Schiff delivers her keynote address to an appreciative audience.

Schiff delivers her keynote address to an appreciative audience.

In her keynote speech, Schiff addressed the two major problems biographers face: a paucity of information or an overabundance of it. She termed the latter “the haystack in the haystack” and said “nothing could be worse,” because “documentation is not revelation.” Writing about Franklin’s years as a diplomat in France, Schiff found voluminous material on him in various archives, though the information did not always reveal the essence of the man at the time.

Schiff recounted enduring the other extreme, the needle in the haystack, while researching Vera Nabokov and Cleopatra. Yet at times, she said, a lack of information, or what a subject leaves out of his or her own writings, can be telling. She believes that “the story lurks in the excisions, the elisions, the denials,” in information distorted or destroyed. The biographers’ challenge, Schiff said, is to find their subject’s voice, or rather, to “help their subject to find his voice, to coax him to speak, when he opts not to do so himself.”

Continue Reading…