News

2015 Election

The following are the election statements and biographies submitted by candidates for the BIO Board of Directors, for seven seats with two year terms, running from 2015-2017. These statements are presented alphabetically, by candidate’s last name.

Oline Eaton


Oline Eaton is a first-time biographer in the final throes of writing a cultural study of the life of Jackie Onassis, a project she has been dreaming about since she was 12. She lives in London and cares entirely too much and thinks entirely too deeply about celebrities. As former chair of BIO’s Social Networking Committee and a social media maven herself (@ohlighn, www.findingjackie.com), Oline hopes to assist in increasing membership and visibility, particularly online, by promoting BIO and the work of its members. She is also interested in developing tangible benefits, so that wherever they are in their careers, all of BIOs members will feel they are gaining something of value from the organization that they cannot get anywhere else. Oline has been a BIO member since 2011, and is grateful for the opportunity to serve as a member of the board.

Anne Heller


My first biography, Ayn Rand and the World She Made, was named one of the best books of 2009 by The New York Times, the San Francisco Chronicle, The New Criterion, Library Journal, Time magazine, the Daily Beast, and others. My new book, Hannah Arendt: A Life in Dark Times, will be published as part of James Atlas’s Icons series by Amazon.com and Harcourt Houghton Mifflin in August, 2015. I have also been a fiction editor and a general editor and writer for The Antioch Review, Esquire, Lear’s, Mademoiselle, and Vanity Fair, and was executive editor of the magazine development group at Condé Nast Publications. Currently, I am serving as an adjunct professor of literature at Bennington College.

An active member of BIO from the beginning. I served as a founding board member from 2010 until 2012, led a membership campaign in 2011, helped to initiate the Rowley Prize for the best proposal for a first-time biographer, and served on this year’s conference program committee. If elected, I’d like to work to expand BIO’s membership outreach and make our many collective resources more widely available and more useful to members.

Kitty Kelley


Following four years as press assistant to a U.S. Senator, and two years as the researcher for the editorial page of The Washington Post, I began full-time freelance writing. I’ve written several contemporary biographies, which I’ve been fortunate enough see as number one on the New York Times best seller list. My subjects have included Jacqueline Kennedy Onassis, Frank Sinatra, Nancy Reagan, the House of Windsor, The Bush family, and Oprah Winfrey. In the last two years I wrote Capturing Camelot: Stanley Tretick’s Iconic Images of The Kennedys and Let Freedom Ring: Stanley Tretick’s Iconic Images of the March on Washington.

My articles have been published in the New York Times, The Washington Post, Wall Street Journal, Newsweek, People, Ladies Home Journal, The New Republic, McCall’s, Los Angeles Times, Chicago Tribune, and The American Scholar.
I believe BIO is crucial to biographers because it provides a network for those of us who must combine the disciplines of journalism, historical research, and narrative non-fiction to tell life stories in a competitive market place. By bringing together people with similar professional commitments, BIO provides a support system for work that requires a great deal of isolation. We’re all going to be better helping each other and so I’ll do whatever I can to help BIO thrive.

Josh Kendall


An award-winning freelance journalist, I have written for numerous national newspapers and magazines, including The New York Times, Los Angeles Times, Wall Street Journal and Business Week. I am also the author of three biographies. My books on the wordsmiths, Peter Mark Roget, author of the legendary Thesaurus and Noah Webster, author of America’s first dictionary, were both New York Times Editor’s Choice selections. I am currently working on a group biography of U. S. Presidents entitled First Dads: Fatherhood, the Presidency and the Arc of American History, which will be released by Grand Central in 2016.

I have been a board member of BIO for two years, during which I have served on both the program committee and the Plutarch Committee.

Like the publishing industry in general, the field of biography currently faces a daunting set of challenges. But there are also opportunities. In a digital culture where the printed word is increasingly seen as a relic, BIO can play a vital role in helping biographers around the world redefine how to research and tell life stories. We are also uniquely situated to build bridges between storytellers working in all types of media, including film and TV.

Marc Leepson


My eighth book, What So Proudly We Hailed: Francis Scott Key, A Life, was published in 2014. My next biography will focus on former Army Staff Sgt. Barry Sadler, best known for “The Ballad of The Green Berets.” My other books include Lafayette: Idealist General, Saving Monticello and Flag: An American Biography.

After eleven years as a staff writer at Congressional Quarterly, I have been freelancing since 1986. My work has appeared in many publications, including The New York Times, Wall Street Journal, USA Today, and Smithsonian and Preservation magazines. I’ve contributed to the Encyclopedia Britannica, the Encyclopedia Americana, and Digital Encyclopedia of George Washington, and have appeared on CBS This Morning Saturday, The Today Show, History Detectives, All Things Considered, and Morning Edition. I am an adjunct professor of U.S. History at Lord Fairfax Community College in Warrenton, Va.

I was elected to the BIO Board of Directors in 2013. Last year the board appointed me as Treasurer of the organization. Being on the board has been a rewarding experience, especially working with a terrific group of accomplished, dedicated board members. It would be an honor to be re-elected to the Board in 2015.

Justin Martin


Since I joined BIO in 2011, I have participated in conference panels on choosing your subject and on group biography. I am now serving on the program committee which is planning the June 2015 Washington DC conference where I will be coaching biographers. In addition, I’m a member of the Gotham Writer’s Group, a local offshoot of the national BIO organization.

As the author of four biographies, I’ve gone the eclectic route, picking subjects ranging from Alan Greenspan to Frederick Law Olmsted. My latest, Rebel Souls: Walt Whitman and America’s First Bohemians (Da Capo), is my first foray into group biography. It was chosen as the outstanding biography of 2014 by the Victorian Society of New York, and was also selected as one of the year’s best books by the Kansas City Star. I’m frequently called upon to give speeches, especially about Olmsted, a vitally important historical figure whose influence is still felt across the nation. A 1987 graduate of Rice University in Houston, Texas, I live with my wife and twin sons in Forest Hills Gardens, a landmark NYC neighborhood designed by Frederick Law Olmsted Jr.

Joanny Moulin


As a biographer and a professor of anglophone literatures at Aix-Marseille University, I am striving to develop biographical studies as an academic discipline on an international level. It would be beneficial for biographers to benefit from a stronger academic transmission belt in which more master’s degrees and doctoral theses were devoted to their works, and where the art of biography was more resolutely taught as a branch of creative writing.

I’ve published biographies on Ted Hughes, Charles Darwin, Victoria, Elizabeth II, Elizabeth I, and am currently commissioned to write a multibiography of the Victorians for Payot-Rivages. I am working on the project of biography of George Clemenceau for the American reading public.

As a member of the BIO Board of Directors, I would work on biography in translation, using my contacts with French publishers to convince them to publish French versions of the best American biographies, and vice versa with American publishers. This kind of work would have to be backed up by seminars in the annual BIO Conference on the translatability of biographies, which greatly depends on the chosen subjects, as well as writing style. I hope to contribute to the international vocation of BIO, by serving as a linchpin between the French and American markets.

Kertzer Wins 2015 Pulitzer for Biography

popeDavid I. Kertzer is the winner of the 2015 Pulitzer Prize for Biography or Autobiography for his book The Pope and Mussolini: The Secret History of Pius XI and the Rise of Fascism in Europe.
We will have an interview with Kertzer, conducted by BIO member Joseph Esposito, in the May issue of The Biographer’s Craft.

A Conversation with Conference Panelist Heath Lee

The Civil War remains a topic of unquenchable interest to readers. In this, the final year of the conflict’s sesquicentennial, the BIO conference will feature a panel “Civil War Women.” Many biographers are discovering that the female figures of this time are a source of vital yet sorely under-explored stories. Justin Martin’s latest book is Rebel Souls: Walt Whitman and America’s First Bohemians, the story of a group of notable Civil War-era artists including Adah Isaacs Menken and Ada Clare. Martin spoke to author Heath Lee, who will co-moderate the panel.

Justin Martin: Please explain the need for and value of a panel devoted specifically to Civil War women.
Heath Lee:
The majority of the scholarship and press attention on the war has focused on traditional themes of the conflict’s military, political, and economic dimensions and the male figures who were Union and Confederate leaders. However, information regarding the lives and fates of women during this period is still scarce and their portraits are often incomplete. The women we will talk about in this panel were shaped tremendously by their experiences and memories of the war, whether they were Northern or Southern, black or white. Women were more than just incidental bystanders during this tragic period in American history.

JM: Who are some of the notable women who will be discussed? And what are some of the unique issues confronting a biographer whose subject is a Civil War woman?
HL:
It would be hard to find a more fascinating list of characters. Among the figures we’re sure to discuss are Harriet Tubman, Rose O’Neale Greenhow, Kate Chase Sprague, Elizabeth Van Lew, Varina Davis, Winnie Davis, Julia Dent Grant, Angelina Grimke Weld, Emma Edmonds, and Belle Boyd.

One of the unique challenges for a biographer researching a woman from this period is the lack of primary source materials. In the nineteenth century, it was common for women’s letters and papers to be destroyed—often even by her own family. It was considered unseemly for information about women to appear in published form. For instance, it is likely that Varina Davis burned Winnie Davis’s private diaries and love letters to her ex-fiancé. Continue Reading…

Taylor Branch Wins 2015 BIO Award

Branch’s most recent book The King Years: Historic Moments in the Civil Rights Movement (2013) presents eighteen key episodes across the full span of the Civil Rights era.

Branch’s most recent book The King Years: Historic Moments in the Civil Rights Movement (2013) presents eighteen key episodes across the full span of the Civil Rights era.

Taylor Branch is the recipient of the 2015 BIO Award, given each year by BIO members to a colleague who has made a major contribution to the advancement of the art and craft of the genre.

Branch is best known for his best-selling, magisterial trilogy about Martin Luther King, Jr., the Civil Rights movement and America in the 1950s and 1960s. In these three volumes, Branch showed, as he wrote in his introduction, that “King’s life is the best and most important metaphor for American history in the watershed postwar years.” His vivid portrait of King’s rise to greatness humanizes the man and allows the reader to understand his era by portraying what it was like to live through it. His three-volume work has been compared to Carl Sandburg’s Lincoln and Robert Caro’s multivolume life of Lyndon Johnson.

For his first volume, Parting the Waters: America in the King Years 1954-63 (1988), Taylor Branch won the Pulitzer Prize and the National Book Critics Circle Award. He was also a finalist for the National Book Award. The volumes Pillar of Fire: America in the King Years 1963-1965(1998) and Canaan’s Edge: America in the King Years 1965-1968 (2006)winner of the Robert F. Kennedy Book Award and a National Book Award and National Book Critics Circle Award finalist—completed his monumental fusion of biography and history. Branch is also the author of a novel, The Empire Blues (1981), and was the ghostwriter of John Dean’s memoir Blind Ambition (1976). He also is well known for his innovative eight-year oral history project with a sitting president—The Clinton Tapes: Wrestling History with the President (2009).

Branch will receive the honor during the 2015 Biographer International Organization Conference on June 6 at the National Press Club, where he will deliver the keynote address. The BIO Award was established in 2010 and its first five recipients were Jean Strouse, Robert Caro, Arnold Rampersad, Ron Chernow and Stacy Schiff.

Spring 2015 Biographies

The following list of biographies appearing between March and August 2015 was assembled using Edelweiss, a web-based interactive publisher catalog system widely used in the book industry. If we missed a title, please let us know at editortbc@biographersinternational.org

March

Hannibal: A Hellenistic Life by Eve MacDonald (Yale)

John Prine: In Spite of Himself by Eddie Huffman (University of Texas Press)

Nicolas Nabokov: A Life in Freedom and Music by Vincent Giroud (Oxford University Press)

Crane: Sex, Celebrity, and My Father’s Unsolved Murder by Robert Crane and Christopher Fryer (University Press of Kentucky)

The Life of William Apess, Pequot by Philip F. Gura (University of North Carolina Press)

Bonaparte: 1769-1802 by Patrice Gueniffey and Steven Rendall (Belknap Press)

John Bartlow Martin: A Voice for the Underdog by Ray E. Boomhower (Indiana University Press)

Chasing Lost Time: The Life of C. K. Scott Moncrieff: Soldier, Spy, and Translator by Jean Findlay (Farrar, Straus and Giroux)

Road to Power: How GM’s Mary Barra Shattered the Glass Ceiling by Laura Colby (Wiley)

General Maxime Weygand, 1867-1965: Fortune and Misfortune by Anthony Clayton (Indiana University Press)

Pretend You’re In A War: The Who & the Sixties by Mark Blake (Aurum Press Ltd)

Vera Brittain and the First World War: The Story of Testament of Youth by Mark Bostridge (Macmillan)

Hissing Cousins: The Untold Story of Eleanor Roosevelt and Alice Roosevelt Longworth by Marc Peyser and Timothy Dwyer (Random House/Nan Talese)

Follies of God: Tennessee Williams and the Women of the Fog by James Grissom (Knopf)

John le Carré by Adam Sisman (HarperCollins)

The Great Leader and the Fighter Pilot: The True Story of the Tyrant Who Created North Korea and The Young Lieutenant Who Stole His Way to Freedom by Blaine Harden (Viking)

A Great and Terrible King: Edward I and the Forging of Britain by Marc Morris (Pegasus)

Goldeneye: Where Bond Was Born: Ian Fleming in Jamaica by Matthew Parker (Pegasus)

Young Eliot: A Biography by Robert Crawford (Farrar, Straus and Giroux)

A Warrior’s Faith: Navy SEAL Ryan Job, a Life-Changing Firefight, and the Belief That Transformed His Life by Robert W. Vera (Thomas Nelson)

Mama Maggie: The Untold Story of One Woman’s Mission to Love the Forgotten Children of Egypt’s Garbage Slums by Marty Makary and Ellen Vaughn (Thomas Nelson)

Mark Rothko: Toward the Light in the Chapel byAnnie Cohen-Solal (Yale University Press)

Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader by Brent Schlender and Rick Tetzeli (Crown Business)

The Contender: Andrew Cuomo, a Biography by Michael Shnayerson (Twelve)

Young Eliot: A Biography by Robert Crawford (Farrar, Straus and Giroux)

Billie Holiday: The Musician and the Myth by John Szwed (Viking)

Restless Ambition: Grace Hartigan, Painter by Cathy Curtis (Oxford University Press)

April

Michelle Obama: A Life by Peter Slevin (Knopf)

Tony Oliva: The Life and Times of a Minnesota Twins Legend by Thom Henninger and Patrick Reusse (University of Minnesota Press)

Matthew McConaughey: The Biography by Neil Daniels (John Blake)

The Second I Saw You: The True Love Story of Rupert Brooke and Phyllis Gardner  by Lorna C. Beckett (University of Chicago Press)

Einstein: His Space and Times by Steven Gimbel (Yale University Press)

The Rise of Thomas Cromwell: Power and Politics in the Reign of Henry VIII, 1485-1534 by Michael Everett (Yale University Press)

Fortune’s Fool: The Life of John Wilkes Booth by Terry Alford (Oxford University Press)

Mellencamp: American Troubadour by David Masciotra (University Press of Kentucky)

Lincoln’s Autocrat: The Life of Edwin Stanton by William Marvel (University of North Carolina Press)

The Story of Alice: Lewis Carroll and the Secret History of Wonderland by Robert Douglas-Fairhurst (Belknap Press)

Billy Martin: Baseball’s Flawed Genius by Bill Pennington (Houghton Mifflin Harcourt)

James Merrill: Life and Art by Langdon Hammer (Knopf)

Man in Profile: Joseph Mitchell of The New Yorker by Thomas Kunkel (Random House)

Bob Dylan : NYC 1961-1964 by Ted Russell and Chris Murray and Donovan (Random House)

In Montmartre: Picasso, Matisse and the Birth of Modernist Art by Sue Roe (Penguin)

Audrey and Bill: A Romantic Biography of Audrey Hepburn and William Holden by Edward Z. Epstein (Running Press)

May

The Lost Imperialist: Lord Dufferin, Memory and Mythmaking in an Age of Celebrity by Andrew Gailey (John Murray)

Life in a Cold Climate: Nancy Mitford The Biography by Laura Thompson (Head of Zeus)

The Shed That Fed a Million Children: The Extraordinary Story of Mary’s Meals by Magnus MacFarlane-Barrow (HarperCollins)

Nobody Grew but the Business: On the Life and Work of William Gaddis by Joseph Tabbi (Northwestern University Press)

Donald Creighton: A Life in History by Donald Wright (University of Toronto Press)

Andrée’s War: How One Young Woman Outwitted the Nazis by Francelle Bradford White (Elliott & Thompson)

The Lives of Robert Ryan by J.R. Jones (Wesleyan)

Malevolent Muse: The Life of Alma Mahler by Oliver Hilmes and Donald Arthur (Northeastern)

Stalin: New Biography of a Dictator by Oleg V. Khlevniuk and Nora Seligman Favorov (Yale University Press)

John Knox by Jane Dawson (Yale University Press)

Léon Blum: Prime Minister, Socialist, Zionist by Pierre Birnbaum (Yale University Press)

Machado de Assis: A Literary Life by K. David Jackson (Yale University Press)

JFK and LBJ: The Last Two Great Presidents by Godfrey Hodgson (Yale University Press)

Béla Bartók by David Cooper (Yale University Press)

Virginia Woolf: A Portrait by Viviane Forrester and Jody Gladding (Columbia University Press)

Joan of Arc: A History by Helen Castor (Thomas Nelson)

Deng Xiaoping: A Revolutionary Life by Alexander V. Pantsov and Steven I. Levine (Oxford University Press)

Carolina Israelite: How Harry Golden Made Us Care about Jews, the South, and Civil Rights by Kimberly Marlowe Hartnett (University of North Carolina Press)

August Weismann: Development, Heredity, and Evolution by Frederick B. Churchill (Harvard University Press)

The Last Victorians: A Daring Reassessment of Four Twentieth Century Eccentrics by William Sydney Robinson (Biteback Publishing, Ltd.)

The Brontë Cabinet: Three Lives in Nine Objects by Deborah Lutz (W. W. Norton & Company)

Lion Songs: Thomas Mapfumo and the Music That Made Zimbabwe by Banning Eyre (Duke University Press)

The Millionaire and the Bard: Henry Folger’s Obsessive Hunt for Shakespeare’s First Folio by Andrea Mays (Simon & Schuster)

The Life of Saul Bellow: To Fame and Fortune, 1915-1964 by Zachary Leader (Knopf)

Reagan: The Life by H.W. Brands (Doubleday)

Ty Cobb: A Terrible Beauty by Charles Leerhsen (Simon & Schuster)

The Wright Brothers by David McCullough (Simon & Schuster)

The Quartet: Orchestrating the Second American Revolution, 1783–1789 by Joseph J. Ellis (Knopf)

June

Stalin’s Daughter: The Extraordinary and Tumultuous Life of Svetlana Alliluyeva by Rosemary Sullivan (Harper)

Leonhard Euler: Mathematical Genius in the Enlightenment by Ronald S. Calinger (Princeton University Press)

Wellington: Waterloo and the Fortunes of Peace 1814-1852 by Rory Muir (Yale University Press)

Not a Game: The Incredible Rise and Unthinkable Fall of Allen Iverson by Kent Babb (Atria Books)

Model Woman: Eileen Ford and the Business of Beauty by Robert Lacey (Harper)

The Quiet Man: The Indispensable Presidency of George H.W. Bush by John H. Sununu (Broadside Books)

In Search of Sir Thomas Browne: The Life and Afterlife of the Seventeenth Century’s Most Inquiring Mind by Hugh Aldersey-Williams (W.W. Norton & Company)

Buckley and Mailer: The Difficult Friendship That Shaped the Sixties by Kevin M. Schultz (W.W. Norton & Company)

Nabokov in America: On the Road to Lolita by Robert Roper (Bloomsbury)

One Righteous Man: Samuel Battle and the Shattering of the Color Line in New York by Arthur Browne (Beacon Press)

The Goddess Pose: The Audacious Life of Indra Devi, the Woman Who Helped Bring Yoga to the West by Michelle Goldberg (Knopf)

Behind the Mask: The Life of Vita Sackville-West by Matthew Dennison (St. Martin’s Press)

The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C. S. Lewis, Owen Barfield, Charles Williams by Philip Zaleski and Carol Zaleski (Farrar, Straus and Giroux)

Irrepressible: The Jazz Age Life of Henrietta Bingham by Emily Bingham (Farrar, Straus and Giroux)

 

July

M-Mother: Dambuster Flight Lieutenant John ‘Hoppy’ Hopgood by Jenny Elmes (History Press)

Admiral Collingwood: Nelson’s Own Hero by Max Adams (Head of Zeus)

Jack Kemp: The Bleeding-Heart Conservative Who Changed America by Morton Kondracke and Fred Barnes (Penguin)

Diane von Furstenberg: A Life Unwrapped by Gioia Diliberto (Dey Street Books)

Edward Thomas: from Adlestrop to Arras: A Biography by Jean Moorcroft Wilson (Bloomsbury)

Genius At Play: The Curious Mathematical Mind of John Horton Conway by Siobhan Roberts (Bloomsbury)

Being Berlusconi: The Rise and Fall from Cosa Nostra to Bunga Bunga by Michael Day (Macmillan)

August

The Richest Man Who Ever Lived: The Life and Times of Jacob Fugger by Greg Steinmetz (Simon & Schuster)

Saban: The Making of a Coach by Monte Burke (Simon & Schuster)

Young Orson: The Years of Luck and Genius on the Path to Citizen Kane by Patrick McGilligan (Harper)

Hannah Arendt: A Life in Dark Times by Anne C. Heller (New Harvest)

Joy: Poet, Seeker, and the Woman Who Captivated C. S. Lewis by Abigail Santamaria (Houghton Mifflin Harcourt)

Street Poison: The Biography of Iceberg Slim by Justin Gifford (Doubleday)

Alice in Chains: The Untold Story by David de Sola (Thomas Dunne Books)

The Last Love Song: A Biography of Joan Didion by Tracy Daugherty (St. Martin’s Press)

She Can Bring Us Home: Dr. Dorothy Boulding Ferebee, Civil Rights Pioneer by Diane Kiesel (University of Nebraska Press/Potomac Books)

Biographers Navigate the Often Challenging Process of Researching, Obtaining Photos

Morris's publisher was able to get the rights for this cover photo of Ethel Payne.

Morris’s publisher was able to get the rights for this cover photo of Ethel Payne.

James McGrath Morris’s publisher thought the cover for his upcoming biography of Ethel Payne was all set. It showed the pioneering African American journalist with her head resting on her hand, a slight smile spread across her lips. Everyone who saw it loved it. The only problem, the publisher learned just two months before the book’s publication, was that it could not secure the rights to the picture from the major newspaper that first ran it.

“As publication neared, we contacted the newspaper and the company that represented the licensing of its photographs,” Morris said. “It turned out that while they owned the work and could use the photograph in their publication, they could not license it for others to use because they could not identify which staff member had taken the photograph. Without being able to compensate the original photographer, they could not license it to be used by my publisher. It was back to the drawing board to find a replacement photograph.

The publisher was able to secure another photo, but the ordeal raised a key concern for biographers and other non-fiction writers. The reality today is that photo researching and getting permissions is an important—and some writers say tortuous—part of preparing their books for publication. The problem is amplified when they can’t track down the copyright owner or have to deal with the laws in other countries.

TBC reached out to members to get their views on the photo research process and tips gleaned from their own experiences. Some responded via email, others on the BIO Facebook page. Here’s a distillation of what they had to say.

Several writers agreed that photo researching should be an integral part of the overall research done for the book. Catherine Reef has done extensive photo research for her YA biographies. She said that while doing initial research, “I stash photocopies and printouts into a folder of potential images, always noting the source. Then, once my manuscript is taking shape, I match the images to my chapters, deciding which ones I can use and where they will work best.”

Reef offered these other tips to consider when deciding on what photos to use and how to get them:

  • Try to feature something new about your subject, while remembering that finding previously unpublished images will likely require searching onsite, by hand.
  • A photograph of a person doing something conveys more information than a head and shoulders portrait, but “active” photographs may be difficult to find for years prior to the early twentieth century.
  • To help with costs, deal with stock agencies only if you can’t get comparable images from other sources (government, libraries, archives, museums, private collections, etc.). The Library of Congress now makes many high-resolution images available for download at no charge, so it is worth searching on their website

Along with finding the best images, writers often have the additional onus of tracking down the owners of the picture and getting permission—and usually, paying a fee. For Sue Rubenstein DeMasi, the task seemed daunting for a recent book: “I found a photograph in an archive in Amsterdam, taken circa 1926 by a photographer from Russia who later became a Mexican citizen. He had no children, but how do I find out if he passed on ownership to someone? The archive is happy to give it to me but has this blanket statement that it is up to me to determine who owns the copyright.”

Dona Munker had a similar issue when she considered using a photo donated to the University of Oregon. Its library could grant permission to reproduce the picture but didn’t know if it had the right to grant permission aside from that. Munker said, “I know who the executors were after the donor died, but haven’t been able to trace who controls the intellectual property rights now. (The executors are deceased.)”
From her experience with photo research and permissions, Munker offered these tips:
  • The National Archives in Washington, DC, is an excellent source for both American and foreign subjects. “In most cases, you pay only for the print, not permissions fees. The exception is if a print you find was taken by a private photographer or magazine, and then, of course, you have to get permission from the owner.”
  • If you make a genuine effort to trace a photo’s owner/executor without success, rather than omit an essential photo you can always put a disclaimer on the copyright page or in the acknowledgments saying you made “every effort” to trace the owners. Keep a paper trail of your efforts.
  • When drafting a permissions letter—or a release form of any kind—keep it as vague as possible. “If the owner or executor wants to restrict your use, they’ll let you know. A commercial archive will definitely let you know—in fact, they’ll probably send you their boilerplate. Don’t be afraid to negotiate if the owner doesn’t accept your original (sweeping) request—although if they do, great. By the same token, if you get back a boilerplate or the equivalent, don’t be afraid to send back an unsigned amended version as a way of suggesting changes.”

For Brian Jay Jones’s biography of JiHenson, the Henson family gave Jones their own photos to use “free and clear,” but dealing with two corporate entities that controlled the rights to Henson’s creations led to “procedural headaches.” His advice: “I can’t stress enough the importance of making sure (as others have said) that you have all your ducks in a row. Copyright attorneys do NOT have a sense of humor.”

Those lawyers’ stern nature is worth considering when coming across an image on the Internet. Pat McNees said, “The images you find through Yahoo and Google have rarely been posted there by the copyright owners…. Remember,royalty-free does not mean free.” 

The Internet, though, can be an ideal place to start searching for photos. McNees has assembled a long list of online stock houses and institutions that provide photos. You can see them at her website. Another source is PacaSearch, offered by the Digital Media Licensing Association, which brings together more than 100 organizations involved in digital content licensing. PacaSearch is a meta search engine with access to more than 132 million images.

To help others understand copyright and other rights issues, McNees also offered a link to her website Writers and Editors, which features resources for clearing rights in the visual arts. Another online source for similar information comes from Stanford University, which offers an “Introduction to the Permissions Process” at its libraries’ copyright and fair use page.  The University of Chicago Press has its own overview of permissions, available here. One interesting note from the site: A still or frame capture taken from a movie does not require permission when used in a scholarly work. As the website explains, “Essentially, a frame capture represents 1/24th of one second of a film, which hardly represents the whole heart of the work, and cannot be said to infringe upon the market for the film.”

Cost, of course, is something writers have to keep paramount, since the budget for photos usually comes out of their advance. One exception comes when authors are skillful negotiators. Cathy Curtis recounted her experience with her upcoming book on painter Grace Hartigan: “During contract negotiations with my publisher, I asked for, and received, a sum of money specifically for this purpose, so that I wouldn’t have to dip into my advance.”

But for most writers, counting photo-related expenses is a reality. Based on her experience, Carol Sklenicka suggested writers not pay for a photo until they’re sure their publisher will want to use it. She also said it’s wise to secure permission to use a photo in all formats, editions, and translations of a book right from the beginning, But she added, “Some professional photographers will not give you that, of course. They would prefer to get a new fee each time, but this complicates the paperwork for years to come.”

For the lucky writers who can afford it, or simply can’t afford the time to research photos and secure permissions, they can turn to a professional. The American Society of Picture Professionals has a search function on its website to locate photo researchers and rights/permission specialists.  

Images of a subject’s life enhance a writer’s words and help the readers connect with the subject. As Carol Sklenicka put it, photos “are a wonderful source of information because they carry a different sort of emotional content than letters and of course convey visual information that is not usually available in written sources.” Keeping in mind the benefits of finding and then using the right photos might temper some of the frustrations of the photo research-and-rights process.

Continue Reading…

Media Outlet and Critics Select Best Bios of 2014

The end of the year always sparks a flurry of best-of lists for books of all genres, and as in past years, TBC is offering an overview of some of the biographies that earned recognition in the United States and beyond. (Names in bold represent BIO members.)

Making the task somewhat easier each year is the Publishers Marketplace (PM) survey of some of the top best-of selections. Culling its information from more than 50 newspapers, trade journals, individual critics, contest winners, and online sources, PM provides a list of the top ten fiction and nonfiction books. For 2014, just one biography made the nonfiction list: The Short and Tragic Life of Robert Peace, by Jeff Hobbs. As we reported last month, the book was also Amazon’s pick for the best biography or memoir of the year, and it turned up on a total of ten best-of lists.

One of those lists was from Kirkus Reviews, which selected 16 books for its Best Biographies of 2014. Some of these included:

  • The Double Life of Paul de Man by Evelyn Barish
  • Boy on Ice: The Life and Death of Derek Boogaard by John Branch
  • Isabella: The Warrior Queen by Kirstin Downey
  • The Mantle of Command: FDR at War, 1941-1942 by Nigel Hamilton
  • The Tastemaker: Carl Van Vechten and the Birth of Modern America by Edward White
  • Hope: Entertainer of the Century by Robert Zoglin
The Peace biography also made the New York Times’s list of notable nonfiction for the year. Some of the other biographies on that list included:
  • Gandhi Before India by Ramachandra Guha
  • Penelope Fitzgerald: A Life by Hermione Lee
  • Embattled Rebel: Jefferson Davis as Commander in Chief by James M. McPherson
  • Dying Every Day: Seneca at the Court of Nero by James Romm
  • American Mirror: The Life and Art of Norman Rockwell by Deborah Solomon
  • Eichmann Before Jerusalem: The Unexamined Life of a Mass Murderer by Bettina Stangneth, translated by Ruth Martin
  • Hotel Florida: Truth, Love, and Death in the Spanish Civil War by Amanda Vaill
Among a selection of major U.S dailies, these were some of the biographies garnering year-end honors:
  • Tennessee Williams: Mad Pilgrimage of the Flesh by John Lahr was a top-ten book for both USA Today and the Washington Post; biographies making the latter paper’s 50 notable nonfiction books for the year included The Good Spy by Kai Bird, John Quincy Adams: American Visionary by Fred Kaplan, and Lynn Sherr’s Sally Ride: America’s First Woman in Space.
  • Los Angeles Times book critic David L. Ulin had one biography on his Top Ten list of all books for 2014—The Invisible Bridge: The Fall of Nixon and the Rise of Reagan by Rick Perlstein.
  • The Christian Science Monitor chose several biographies for its top ten nonfiction titles of the year, including The Good Spy and Beethoven: Anguish and Triumph by Jan Swafford.
  • Booklist had a number of biographies on its Best Books list. Among those not already mentioned were:
    •  Brando’s Smile: His Life, Thought, and Work by Susan L. Mizruchi
    • Charlie Chaplin: A Brief Life by Peter Ackroyd
    • The Crusades of Cesar Chavez by Miriam Pawel
    • The Innovators: How a Group of Inventors, Hackers, Geniuses, and Geeks Created the Digital Revolution by Walter Isaacson
    • Michelangelo: A Life in Six Masterpieces by Miles J. Unger
    •  A Royal Experiment: The Private Life of King George III by Janice Hadlow
    • Victoria: A Life by A. N. Wilson
At National Public Radio, a seemingly endless list of top books (actually only about 250), included such biographies as the Ames, Hobbs, and Swafford titles already mentioned, as well as:
  • Philip Larkin: Life, Art and Love by James Booth
  • Empress Dowager Cixi: The Concubine Who Launched Modern China by Jung Chang
  • The Secret History of Wonder Woman by Jill Lepore
  • Bolaño, A Biography In Conversations by Monica Maristain
  • Thirteen Days in September: Carter, Begin, and Sadat at Camp David by Lawrence Wright
In the virtual world, Brain Picking’s choices for best biographies, memoirs, and history books included:
  • Updike by Adam Begley
  • E. E. Cummings: A Life by Susan Cheever
  • Susan Sontag: A Biography by David Schreiber, translated by David Dollenmayer

Internationally, various UK publications offered their selections of some of the best biographies. The Financial Times had a long list of best books in many different categories. Biographical works that made the cut included:

  • Roy Jenkins: A Well-Rounded Life by John Campbell
  • Stalin, Volume 1: Paradoxes of Power, 1878-1928 by Stephen Kotkin
  • Brando’s Smile: His Life, Thought and Work by Susan L Mizruchi
Robert McCrum of the Guardian called Michael Zantovsky’s Havel the year’s best biography. Others that won his favor included:
  • Behind the Mask: The Life of Vita Sackville-West by Matthew Dennison
  • The Churchill Factor by Boris Johnson
  • Victoria: A Life by A.N. Wilson
Fellow Guardian critic Paul Laity had his own list of top memoirs and biographies. He also included the Jenkins and Queen Victoria biographies, along with those about Tennessee Williams, Updike, and Larkin. Others on his list were:
  • Joan of Arc by Helen Castor
  • Eleanor Marx by Rachel Holmes
  • Constant Lambert by Stephen Lloyd
  • A Spy Among Friends by Ben Macintyre
The Independent also listed best biographies in at least two separate articles. In a piece on best bios and memoirs, the only biography that made the list was Holmes’s book on Eleanor Marx. Another round-up of best biographies included ones already highlighted here (Napoleon, Victoria, Behind the Mask, Williams, Larkin). In a separate list for paperbacks, Megan Marshall’s Margaret Fuller: A New American Life was the only biography to make the paper’s best-of list.

 

The Economist’s list of top books had a category for biographies and memoirs. Along with the Cummings and Napoleon books already cited here, it included Faisal I of Iraq by Ali A. Allawi.

 

The Times Literary Supplement asked its contributors to recount their favorite books of the year. Only several of these lists were available online to non-subscribers, with no biographies making the cut.

Back in North America, the Vancouver Sun and Toronto’s The Globe and Mail had several biographies on their best-of lists. Out of 100 notable books, The Globe and Mail included Boy on Ice, and in a highlight of top books it did not review, it included Crazy Town: The Rob Ford Story by Robyn Doolittle and Limonov: The Outrageous Adventures of the Radical Soviet Poet Who Became a Bum in New York, a Sensation in France, and a Political Antihero in Russia, by Emmanuel Carrère. The Sun’s list of top books in “arts and life” had these biographies:
  • De Niro: A Life by Shawn Levy
  • Respect: The Life of Aretha Franklin by David Ritz
  • Elsa Schiaparelli: A Biography by Meryle Secrest

BIO Honors Gottlieb with Editorial Excellence Award

(Photo courtesy of Calvin Reid)

(Photo courtesy of Calvin Reid)

On December 3, more than 70 BIO members, editors, agents, and writers gathered at the New York Society Library to hear Robert Caro (left) pay tribute to Robert Gottlieb, the first winner of BIO’s Editorial Excellence Award.

Board member Will Swift introduced Caro, and after his tribute Gottlieb spoke for 35 minutes on biography and his decades-long collaboration with Caro.

Former BIO president James McGrath Morris said, “The evening was riveting and represented the kind of vital energy that attracts us to biography.” John Farrell added, “There is a sense one sometimes feels that, no matter what scene we are in at the moment, someone is having a better time somewhere else. But on Wednesday night, watching Robert Caro give the award to Robert Gottlieb, it was pretty clear to everyone there that no writers on the planet were having a finer time than we were.