In honor of the work of Robert and Ina Caro, Biographers International Organization has set up an annual research and travel fellowship. Biographers with a work in progress can apply to receive funding for research trips to archives or to important settings in their subjects’ lives. This fellowship is a reflection of BIO’s ongoing commitment to support authors in writing beautifully contextualized and tenaciously researched biographies.
“[I]f the place, the setting, played a crucial role in shaping the character’s feelings, drives, motivations, insecurities, then by describing the place well enough, the author will have succeeded in bringing the reader closer to an understanding of the character.” –Robert Caro
In honor of the work of Robert and Ina Caro, Biographers International Organization has set up an annual research and travel fellowship. Biographers with a work in progress can apply to receive funding for research trips to archives or to important settings in their subject’s lives. This fellowship is a reflection of BIO’s ongoing commitment to support authors in writing beautifully contextualized and tenaciously researched biographies.
The fellowship will be awarded for the eighth time in 2025.
By their own example, the Caros have taught us the crucial importance of depicting a sense of place in delineating character.
“The greatest of books,” Robert Caro said in his keynote speech at the 2011 BIO Conference in Washington, “are books with places you can see in your mind’s eye.” He cited these examples of great writing about setting:
- the deck of the Pequod, in Moby Dick, when the sailors haul whale parts aboard the ship to melt down for oil.
- the battlefield at Borodino, in War and Peace, as Napoleon looks down from a hill and has to decide whether to send his Old Guard forward into battle.
- Miss Havisham’s room in Great Expectations, with the wedding cake covered with cobwebs, in which she lived out her life after she was jilted.
Eligibility
The Caro fellowship is open to all biographers anywhere in the world who are writing in English and whose work requires travel to a particular archive and/or a particular place significant to the life of the biographical subject. The fellowship is restricted to support works of biography, e.g. not of history, autobiography, or memoir. BIO welcomes submissions for non-print biographies such as documentary films. A publishing contract is not required for eligibility. BIO will award up to four winners with a minimum award of $2,500 each, based on the judgment of the panel of three judges.
Application Process
Complete the on-line entry form. (Please note that the form can be tricky. When filling out one’s address, for example, “city” and “state” go in the boxes above the words, not below).
Upload the following submission materials in one single PDF document:
- Project description (500 words or less). Provide a synopsis of the biography and explain how this work fits into the mission of the Caro fellowship (see “About the Award”). Provide details of where you wish to travel and why, and explain how such travel is relevant to your project. If you wish to travel to places where your subject lived or worked, provide relevant details. If you wish to travel to particular archives, specify why they will be important for your biography.
- Details of your proposed budget. Provide an estimated cost of travel and possible housing.
- Anticipated result of receipt of a Caro fellowship. Explain whether the fellowship will lead to completion of a proposal, a chapter in your biography, or completion of the work.
- Author bio (500 words or less).
Your document should be double-spaced, with 12-point type and standard margins. The document must be a PDF. Please be sure to include your name as part of the file name of the PDF that you submit – imagine receiving dozens of files all named “Caro Fellowship”!
Sign the on-line entry form by checking the box affirming your understanding of the rules and procedures.
There is no application fee for this fellowship.
You will receive an acknowledgment of your entry within several days. If you do not, please contact Michael Gately.
Terms and Conditions
The deadline for entries is February 1. Receipt of all applications will be acknowledged by email. The fellowship winner will be announced by early May. Formal announcement of the winner will be made at the annual conference.
In submitting this prize entry form, you agree to all the terms and conditions of the BIO Caro Fellowship You also affirm that the work you are submitting is in progress and will not be in production at the time of the annual BIO conference. Only one entry per applicant is allowed. In submitting this entry form, you affirm that you are the sole author (or, if co-authored, authors) of the work being submitted. In the event that you are the winner, you affirm that you will make your best effort to publish your work, and that you will acknowledge the support of BIO’s Caro Fellowship in any publications resulting from the fellowship. BIO also requires that you submit a brief paragraph reporting on your progress upon completion of your funded travel. All decisions by the judges are final.
FAQs
Does memoir qualify?
No, it does not.
Do I have to be a member of BIO when I apply?
No, you do not, but we would be pleased if you joined.
Am I eligible if I write young adult biographies?
Yes.
Am I eligible if I am represented by an agent or if my biography is under contract for publication?
Yes.
Am I eligible for more than one BIO fellowship in a given year?
Yes.
For further questions, contact Michael Gately.
2024
Krithika Varagur
Keri Walsh
Krithika Varagur is at work on a group biography, The Singh Princesses: Three Sisters at the End of Empire, to be published by Penguin Press. Varagur will use the fellowship to make a research trip to Germany. She was awarded $5,000.
Keri Walsh is at work on Shakespeare and Company: The Paris Bookstore that Changed the World, a dual biography of the bookstore’s proprietors, Sylvia Beach and George Whitman, which will be published by Scribner. Walsh will use the fellowship funds to conduct research in Paris. She was awarded $5,000.
2023
Daniel Brook
Kate Culkin
Lizzie Skurnick
Daniel Brook, a journalist and author of The Accident of Color: A Story of Race in Reconstruction (W. W. Norton & Company, June 2019), is at work on a biography of German physician and sexologist Magnus Hirschfeld. Of his application, the committee said, “We appreciated the ways Brook is linking Hischfeld’s work on sex and gender to his later work on race, and then linking all his work to contemporary questions and debates for a wide audience.” Brook will use the $2,500 fellowship award to support research trips to Kolobrzeg and Berlin.
Kate Culkin is a professor of history at Bronx Community College. Her research focuses on nineteenth-century American women, memorialization, and the role of eportfolio in teaching and learning. She is the author of Harriet Hosmer: A Cultural Biography (University of Massachusetts Press, October 2010) and is currently at work on a book titled Thankful for My Sisters: Ellen Tucker Emerson, Edith Emerson Forbes and the Emerson Legacy. The committee found Culkin’s work to be an important way to “tell a new story of Transcendentalism, provide insight into complex family dynamics, and rethink Emerson’s much vaunted self-reliance as, in part, a story of gendered dependency.” Culkin will use the $2,500 fellowship award to support a research trip to Faial Island, Azores.
Lizzie Skurnick is a writer, critic, and editor. Her most recent book is Pretty Bitches: On Being Called Crazy, Angry, Bossy, Frumpy, Feisty, and All the Other Words That Are Used to Undermine Women (Seal Press, March 2020). Skurnick is currently at work on The Special Students: My Great-Grandfather at Harvard, His Mysterious Death, and the Rise of the Talented Tenth (forthcoming from Henry Holt & Company). The project tells the story of George Whitte Jordan, an ill-fated ancestor of Skurnick, who was among a coterie of early 20th-century Black scholars that Harvard University once relegated to a discrete racial-caste category called “Special Students.” Skurnick will use the $5,000 fellowship award to support ongoing work.
2022
Lauren Arrington
Bill Goldstein
2021
Humera Afridi
Iris Jamahl Dunkle
2020
Lynne Bermont
Lance Richardson
2019
Amy Reading
Nicholas Boggs
2018
Natalie Dykstra
Marina Harss